Zoo Southside, 6 – 30 August 2010
Reviewed for the British Theatre Guide
Do many hands make light work, or do too many cooks spoil the broth? Les Argonautes seem determined to find out, and do it entirely through trial and error. The quartet, clad in identical white tunics, enhance a variety of traditionally solo activities – playing the violin, for example – through cooperation, delegation and intervention.
The result is a gentle and at times hilarious exploration of teamwork both willing and reluctant, as well as a skilful circus act incorporating juggling (with unorthodox objects), balance stunts and a good deal of clowning. Everything’s neatly choreographed to appear inadvertent, so precarious balances accidentally result when supports are removed without forethought, and juggling just starts happening when people drop things.
To place their stunts and set-pieces in some context other than simple japery, the company sketch the bare bones of characters (the mischievous one, the show-off, the nervous one, the big lunk) and a scenario (they’re inmates or test subjects or some such; a booming voice keeps insisting they stay “CAAAAALM”). Adding an element of storytelling gives Pas Perdus a level of depth beyond appreciation of the skill involved, but also raises an expectation of some kind of arc or resolution, which is only half-heartedly fulfilled.
- Read Mariae Smiarowska’s review for The Shimmy Skinny
- Read Val Baskott’s review for The Public Reviews
- Read Dora Petherbridge’s review for ThreeWeeks
- Read Oscar Q. Berry’s review for Broadway Baby