The Zoo, 8 – 27 August 2010
Review for The List (issue 664)
Did someone accuse Idle Motion of being one-hit wonders? Because as if in response to such an accusation, the company has recreated the success of its 2009 smash Borges and I with near-scientific precision. Recreated, that is, as opposed to surpassed.
Make no mistake, The Vanishing Horizon is still one of the most compelling shows you’re likely to see at this year’s Fringe: an exquisite weaving-together of music, text, movement and design in which each element supports and bolsters every other. But the pattern of the weave remains exactly the same as for Borges and I: suitcases replace books, pioneering aviatrixes replace Jorge Luis Borges and the heartache of an absent parent replaces that of impending sight loss, but the proportions remain comfortably unchanged.
Perhaps there’s nothing wrong with sticking to a winning formula, and winning this formula certainly is: the luggage-based set pieces alone are so delightfully innovative that some spark spontaneous applause when deployed. Surely, though, innovation of this calibre could be put to better use than reliving past successes.
- Read Lyn Gardner’s review for The Guardian
- Read Susan Mansfield’s review for The Scotsman
- Read Mark Harding’s review for Fest
- Read Benet Catty’s review for What’s On Stage
- Read Sarah Jordan’s review for ThreeWeeks