Odyssey ****

This is Schrödinger’s Odyssey: it’s neither Homer’s Ancient Greek epic, nor is it wholly Dominic J Allen’s mid-apocalyptic refashioning, yet it’s both.

Felicity Ward Reads From The Book Of Moron ***

Felicity_Ward_2

Has to inflate embarrassing mishaps into excruciating humiliations.

The Door **

The Door

An unexpected outcome to an an ultimately un-engaging play.

The Chinese State Circus Mulan ****

_MG_0081

After just ten minutes in the Chinese State Circus’s big top, my palms are already sore from clapping. Applause soundtracks their entire event in a near-continuous torrent, accompanied by vocalisations of awe both voluntary and involuntary.

Reykjavík ***

ReykJavik

The whole experience is like studying a fascinating fossil through a microscope. The level of obsession doesn’t seem healthy, and you have to work to understand its relevance to you, but every new angle reveals something else of interest.

Silent Cannonfire ***

This piratical production is performed entirely without spoken dialogue, instead mimed and mummed to a live soundtrack of sea shanties.

A Pint for the Ghost ***

An extra touch of theatrical flair could make A Pint For The Ghost genuinely eerie.

Josie Long: Be Honourable! ****

A joyous kickback against disillusionment.

Hotel Nowhere ***

Perhaps the hotel couldn’t spare a room during festival season, but in that case why bother staging the play in a hotel at all?

Lorca is Dead ***

A lament in the key of surrealism.

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    All textual and audiovisual content is © 2008-2010 by Matt Boothman.
    All photographs are the property of their stated owners.

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