No excuses: theatre is affordable

If you can afford a cinema ticket, you can afford a theatre ticket.

Mother Courage and Her Children

Like a glass-panelled clock, Deborah Warner’s Mother Courage and Her Children doesn’t just choose not to conceal its inner workings, it displays them, inviting the audience to marvel at the way the pieces fit together.

Arts Futurism – the international live theatre exchange

Is NT Live the first step towards shattering live theatre’s international boundaries?

All’s Well That End Well

Perhaps under other circumstances having ’solved’ All’s Well would be enough of an achievement, but this is the National we’re talking about; it’s perfectly justifiable to demand more.

Death and the King’s Horseman

Though Death and the King’s Horseman was programmed well before England People Very Nice opened and the accusations began, in context it feels like a comforting reassurance that the National Theatre does not condone racism.

Stovepipe

It’s all too easy to remain detached from the subject of Iraq. Stovepipe aims to pick us up off the sidelines and deposit us bodily into the midst of the relief effort.

England People Very Nice

The play does a great job putting the problems of today’s multicultural London in perpsective, as each generation of immigrants eventually integrates into British life and then takes its turn oppressing the next.

The Revenger’s Tragedy

Within a minute director Melly Still’s production has yanked the audience as violently and spectacularly up to date as it has The Revenger’s Tragedy itself.

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    All textual and audiovisual content is © 2008-2010 by Matt Boothman.
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